In 2022, I received an ancient record from my supervisor, Mike. “This is a personal favor for a friend,” he said. I held the yellowed wax and paper disc by the edges and read the name on the label: SEAMAN GEORGE S—
I looked at Mike with fascination. What is this?
“It’s a letter, on record, from this young sailor to his family, before he shipped out in the Pacific theater during World War II. He never made it home.” Mike paused and looked at me. “Most of his family is gone now too, but this friend of mine is a relative and he’d love to hear it.”
As a Navy veteran myself, and in my current capacity as an audio engineer, I was eager to take this project on. The process of transcription was an arduous one. The record was so old and warped that it was very difficult to discern what was said. I digitized it and then set about “cleaning” the audio through various audio restoration software. The result was good, but it was no magic wand. It was still very difficult to hear what SN George S— had to say.
[Actual audio from this digitization of the record]
So I set about creating a transcript of what I could make out. If the family of our sailor was unable to hear all of the words, at least I could make my best effort at writing what I heard. Again, this was a painstaking process of listening, rewinding, scrubbing the audio. As I slowly re-created the transcript, I started to see, in the repetition, in the slow choosing of words, a kind of poetry emerging. Not that this sailor was a poet (for all I know he may have been), but the way this 70-year-old audio was conducting through my ears, to my brain, and out my pen, was a transliterative process of sorts.
Finally, after weeks of cobbling together the cleanest version of the audio and my transcript to deliver to Mike, I started forming a poem from the record. Utilizing the repetition of the transcription, utilizing the space and the thought and the imagination that I needed to access what was being said, this piece began to emerge.
I call it Last Letter Home, and it was published in North Dakota Quarterly Volume 90 Issue 3/4.
[My reading of the poem, if you prefer]
Last Letter Home
Recorded to wax disc by the USO
on Market Street in downtown San Francisco, California, June 1943.
Restored and transcribed by the poet in Chicago, May 2022.
Mom? Dad? How are ya? I’m fine. Tol’ ya I’d write. How how’s Dad? I hope he isn’t worth too much. Yaknow, Mom, ya better take take it easy. Yeah no Ya know what the doctor said about your heart. I hope ya rally really take his presence fat fat fat and burningly. I hope ya like ‘em. I hope ya liked that ring that sting that thing I sentya too, Mom. Mom? Please don’t send me anythin eatable for ma birthday, because I might git it in Huh-why, and by then it won’t do any good. You know what I mean. I’m alright, Ma. I’ve gain twenny two pounds. I’m twenny-five-thousand strong now. Wrong as a horse, and dumb as one two won two won too two one too. I think I look good in all the dumb dub dumb dove places. You feel those tomatoes and the coconuts? You know those things what look weak sing very well, Ma. Mom? The war is almost through and I’ll be home soon. Peas Pleas Please tell me why I did the Navy. Ma, we break, but won’t we bend? Good bye Mom. Love and kisses to Dad.
this is so great, thank you for sharing.
Gosh - break my heart wide open.